![]() Bridging the Digital Gap: Experiences to Date.Mark Hedges will outline recent and ongoing international work to develop the idea of computational archival science and James Lowry will discuss his thinking around how this subject of study might be further defined and implemented at Liverpool University. Computational Archival Science: A New Transdiscipline?.This panel session seeks to contextualize the impact of technology on the recordkeeping profession by reporting on the work that has and is going on to develop approaches to increase digital competence, both in the UK and internationally. Workshop #23: Shaping Digital Recordkeeping Competence, A panel session at the ARA 2019 Meeting (Archives and Records Association – UK & Ireland) - Aug.Information Ecosystems: Creating Data (and Absence) From the Quantitative to the Digital Age. ![]() Workshop #24: Mellon Foundation sawyer Seminar at the U.Workshop #25: IEEE Big Data 2019 “4th CAS Workshop”, Los Angeles - Dec.12, 2019 at the UCLA Department of Information Studies. Workshop #26: UCLA Computational Archival Science (CAS) Unconference on Dec.Workshop #27: Alan Turing Institute CAS Workshop, British Library, London UK - Jan.Late admission will not be allowed. Attendees who have not RSVP’d will be put on a standby waitlist if they arrive in-person before the event. Admission for attendees who have RSVP’d will be determined on a first come first serve basis on arrival. Students of Elisa Davis’ class will take priority, regardless of RSVP. Please Note: Capacity in the lab is capped at 35 audience members. This interactive workshop by Artist in Residence Kate Ladenheim is in collaboration with Barnard College Professor Elisa Davis’ Designing Immersive Performance class. Her work has been celebrated in Dance Magazine as one of their “25 to Watch” and “Best of 2018.” Ladenheim is currently the Associate Artist-in-Residence at the Maya Brin Institute for New Performance, a faculty position at the University of Maryland in Theater, Dance and Performance Studies. Her artistic projects have been presented internationally, including at The Invisible Dog, National Sawdust, GrizzlyGrizzly, Brown University, Joe’s Pub at The Public Theater, The Edinburgh Fringe Festival, and The Performance Arcade (New Zealand). She has conducted research in motion interfaces for robotics design at U.C.L.A., and was the 2019-2020 Artist in Residence at the Robotics, Automation, & Dance Lab at the University of Illinois at Champaign-Urbana. in Media Design Practices from ArtCenter College of Design. She researches bodies in motion and how they impact and are impacted by systems of social and technological pressure. Her work spans interactive installations, media design, performance and robotics. Kate Ladenheim is a choreographer, media designer, and creative technologist. The event will take place on Tuesday, March 21st, 2023 from 11:40am – 12:55 pm (during Elisa Davis’ Designing Immersive Performance class). ![]() This interactive workshop by Artist in Residence Kate Ladenheim is in collaboration with Barnard College Professor Elisa Davis’ Designing Immersive Performance class. Alongside this hands-on technology, we’ll also consider: what motions communicate “normalcy”? What avatars are expected to perform what “stock” motions? What kinds of biases do these assumptions reveal? that you can use in 3d animation, AR & VR. In this workshop, you’ll learn how to animate digital avatars by stringing together “stock” motion clips available for free online. Join choreographer, media designer, creative technologist, and Movement Lab Artist in Residence, Kate Ladenheim in making choreographies for 3d avatars. Please email you have any concerns or run into any problems with install. Students can choose to use the personal license (free) or sign up to get an educational license – either will allow them to participate fully. ![]() NOTE: All attendees must bring a laptop with Unity pre-installed. ![]()
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